Friday, December 11, 2009

Who Is the Real Victim of Black Sexual Conquest? The White Female or the White Male?

Many on the White Right paint a social portrait where black males are committing wave after wave of sexual crimes against white women. According to this narrative most sexual encounters between blacks and whites are violent, with black males brutally raping, beating, and even killing white women. White women are presented as the primary victims of black sexual aggression, and for that reason, white males are reminded of their duty to unite and save their mothers, sisters, and daughters from black ‘savages’.
There is some degree of truth to this, insofar most interracial or interracist sexual violence in this country is black male-on-white female. Government statistics are pretty grim, with black-on-white rape outnumbering white-on-black rape by a zillion to one.
But, there is a fundamental flaw and a repressed denial in the White Right interpretation. The fact is most sexual encounters between black and white are consensual, with white women as enthusiastic partners. White women seek out black men no less than black men seek out white women. Of course, this doesn’t apply to all white women nor even to the majority of them, but their numbers are growing, and among younger white girls, it’s very possible that their IDEAL beau is someone like Will Smith, Obama, or some other black celebrity.
Given this reality, one could argue that the REAL victims of black-white sex are white males, not white females. The real problem is not black males raping white women but increasing numbers of white women abandoning white men and going off with black men. And the taboo against such union is all but gone. Indeed, the new taboo is criticizing miscegenation–especially involving blacks–as detrimental to white civilization. A white celebrity going with a black guy can proudly declare her love for the Negro, but no famous white person would dare say white people should sexually stick together. He or she would be castigated, stigmatized, and tarred-and-feathered by the leftist Jewish and liberal Wasp-controlled media.
There had once been laws against miscegenation. Even after such laws were repealed, there had still been an unspoken taboo against white women going with black men; respectable, popular, cool, or good white girls just didn’t do that.
But, this taboo grew weaker and weaker as sports became more dominated by blacks. Given that sports is America’s National Pastime, those commanding the field became the new archetype of masculinity.
In the beginning of the movie PATTON, the eponymous general says "Americans love a winner and will not tolerate a loser." He says Americans admire the toughest boxer, fastest runner, etc. Well, in the battlefield of sports–which Americas are obsessed with–, blacks were the winners and whites were the losers. Over time, white women couldn’t fail to notice that blacks were the hometown heroes to cheer for while white boys were the benchwarmers. Of course, whites owned many of the sports franchises, but many of these whites actually happened to be liberal Jews pushing a miscegenist agenda.
And in the realm of popular culture, black males seem to sing and dance better and have more commanding voices.
Even so, one could argue that white women were overwhelmingly sticking with their men until the late 80s and early 90s when two crucial things happened: the rise of hip-hop and the movie "Jungle Fever". Prior to the rise of hip-hop, black musical acts, though soulful and talented, had less appeal to young white people. Pre-rap black music wasn’t necessarily for young people but for all black people who wanted to boogie and dance. Therefore, most white kids stuck to white rock whose appeal was more brazenly youth-oriented and rebellious. But, hip-hop and rap changed all that. This was the music of black youth rebellion. It was nasty, vicious, badass, cool, hip, raunchy, and sexual. It had the assaultive rage of punk, the raunchy excess of heavy metal, and thuggish sneer of gangster movies. Hip hop caught on like a wild fire among young white people in the late 80s and 90s, becoming THE mainstream music among the majority of white kids.
Just as important was the movie JUNGLE FEVER by Spike Lee. Though we like to accuse Jewish Hollywood of promoting miscegenation, this wasn’t really the case prior to Lee’s movie. Sure, there had been interracist films such as GUESS WHO’S COMING TO DINNER, but Hollywood in general maintained racial divisions.
Indeed, one of the biggest cultural phenomenon of the 70s and 80s was the Rocky movies where the Italian Stallion beat up black guys and won the devotion of the lovely Adriane. Hollywood, either out of fear of white backlash or market conformism, preferred not to touch the theme of interracism. And when it had, it was in cheap blaxploitation B-films that existed under the radar or in overly stuffy respectable movies like GUESS WHO’S COMING TO DINNER, which was not a jungle fever movie at all but one that argued that white-black marriage is wonderful because a black guy is just a white guy with black skin. Sidney Poitier is unbelievably poised and dignified in that movie. GUESS totally ignored the darker and primal emotions at the base of black(male)/white(female) relationships.
Spike Lee didn’t ignore that reality but spilled the beans with jiveass boldness–though it must be said even Lee played it somewhat safe, presenting a scenario of a black male/Italian-American female sexual relationship than the more taboo-busting black male/blonde white female sexual relationship. There is a sense among both white and blacks that blue-eyed blonde women are the epitome of white beauty and purity, and therefore the greatest violation of whiteness is for a non-white male–especially black–to ravage the sacred hole of the blonde goddess that should be reserved only for the noble and proud ‘Aryan’ sexual spear. A dark-haired Spanish woman going with a Negro is less troubling to most white males than a blonde blue-eyed woman going with a Negro. Anyway, Spike Lee’s movie shattered taboos when it came to the issue of the true nature of black/white sexual relationships. His movie demonstrated that black/white lust was not color-blind but all about color or race. Black men are attracted to white women because white women are generally more feminine than black women, and white women are attracted to black men because black men are generally more masculine than white men.
Except for free thinkers like Steve Sailer, most white males have been afraid to address this issue in an honest way. It is too hurtful to their pride. So, they spin the narrative where all black males are brutes out to rape white women. It presents white women as helpless, duped, or naive victims of black sexual criminality or doomed consensual relationships because black men will almost always turn out to be abusive and sadistic.
So, David Duke has given us many stories about how an innocent white girl went with a black guy, only to be beaten and murdered in the most savage way imaginable. The suggestion is that the ONLY reason why white women would ever go with black men is because of Political Correctness or Jewish control of popular culture. Supposedly, PC fills white girls with racial guilt and self-doubt; therefore, they seek out non-white men to give birth to non-white babies, thus committing racial suicide in order to wash away the sin of white guilt. Or, Jewish controlled Hollywood and music industry brainwashes white women to go gaga over black dudes.
Though there is some truth to both assertions, it ignores a fundamental fact. The main reason for black male/white female sexual attraction is NATURAL and EVOLUTIONARY. Darwinism can be used to justify both racial unity AND miscegenation. Even if liberal Jews didn’t control the media and even if PC didn’t rule the land, there would be much natural attraction between black men and white women. Why? Because males naturally desire the prettier females–and white women are generally prettier than black women–and females naturally desire the more masculine males. Look at the natural world of animals, and males of any species are always fighting over three things: food, territory, and females. It’s all about ‘land and pussy’. And females ALWAYS go with the stronger males who triumph over other males. In the modern world, the competition among males take place in the sporting field and in popular culture. Black rappers have proven themselves tougher, meaner, and more badass than white rockers. Black movie stars have proven themselves more charismatic and commanding than guys like Tom Cruise or Bruce Willis. In politics, Obama defeated John McCain–and would have defeated others as well. In the Democratic Primaries, Obama defeated Hillary Clinton because he was, in the terms of the natural consciousness, the male buck while she was the female who should be humped by the top male. Obama first easily destroyed the white liberal pussyboy John Edwards. When it came down to Hillary and Obama, most liberals chose the charismatic male over the duck-like female. Though liberals take pride in their rationalism, enlighten values, and intellectualism, the real reason for their attraction to Obama was animalistic and instinctual. The herd submitted to the guy who seemed to have more leadership charisma as the alpha male. Of course, Obama came across as intelligent too. The animal side of us worships the strong guy, the modern side of us admires the smart guy. People look up to superstar football players and superstar computer geeks–like the boys at Google or Jewgle. If the problem of most black politicians was they were all tough noise and not enough brains, Obama carefully mixed black charisma with the geek chic he picked up from places like Harvard. He mixed black charismatics and Jew-esque intellectics. Jews, we all know by now, have destroyed the white gentile males in the arena of brainpower. Blacks have destroyed the white gentile males in the arena of muscle and musical power. So, it was clever on the part of Obama and his Jewish supporters to create the image of the new messiah based on the merging of badass black and radical Jewish characteristics.
To be sure, evolutionary impulses can be contradictory. There are plenty of white women loyal to white men, and this devotion could be explained in terms of evolutionary instinct too: a kind of herd or tribal mentality to the survive as a group. But, another kind of evolutionary instinct seeks to pass down the genes of the toughest and most virile males.
Suppose there is a deer herd dominated by a certain male. The females in the herd are bound to the toughest male and sexually give themselves to him. But, suppose another male appears, fights the leader of the herd, and defeats him. The female deer will NOT remain loyal to the defeated male who had once been their sexual master. They will give themselves to the new master. So, to a certain extent, the rising tide of black male/white female unions is a part of process rooted in evolution. When blacks were non-existent, invisible, or marginalized in white society, white women admired and were attached to the apparent superiority of white men. But, when blacks gained greater freedom in a modern democracy committed to EQUALITY FOR ALL REGARLESS OF RACE, CREED, OR COLOR, they began to demonstrate that they can defeat the white men in spheres that most arouse the sexual passions of women–sports, music, performance, and etc. Thus, the sexual migration of white females to black males is not only something engineered and approved by Organized Jewry but the product of evolutionary impulses. If whites were a sizable minority in Japan, much the same would happen. Many Japanese women would likely and NATURALLY prefer the taller and beefier white males to the short and scrawny Japanese males. Indeed, though there is no Jewish control of the media in Japan, a lot of Japanese women fantasize about white males and black males. Why? Women prefer the more masculine male.
Of course, humans are more than animals. Most women will not simply prefer a mindless brute over a weaker guy. Women also look for qualities such as decency, sensitivity, intelligence, knowledge, judiciousness, integrity, etc. After all, even most white women who sow their wild oatesses by jumping into bed with black men will eventually marry a more stable white guy as marriage is NOT ONLY about sex. Madonna may have f***ed the entire NBA, but she settled down with a white guy. Even so, at least 1/3 of sexuality is still animal, brutish, and elemental.
So, we need to ask again, who is the real victim in this sexual equation? White males or white females? If white females are indeed the primary victims of black male sexuality, how come far many more white males are opposed to interracism than white females are? Though there is legitimate and sincere white male anger at black criminal acts against white females, the GREATER anxiety and anguish is over that many white women have WILLINGLY thrown themselves at black males. Just look at all the white girls who will stand in long lines just to bed down with a rap star, basketball player, or Tiger Woods. Just look at all the white women who wet their pants over Barack Obama. Indeed, black women are less impressed with Barack as the black men they know in their lives are many times more ‘charismatic’ and badass. White girls, in contrast, perceive and measure Barack in comparison to the white males in their lives, and Barack somehow comes across as more masculine, cool, self-assured, and etc.
Indeed, white male anger over black/white sexual unions is seen by white females not as a sign of toughness or manhood but of insecurity, frustration, fear, and resentment.
Though the white right talks endlessly about the danger posed to white women by black thugs, the greater fear is that many white women might be perfectly happy or happier with black males than with white males. Stories of black male assault on white women are, perversely enough, kind of reassuring to the white right as confirmations of black-as-brutal-beast. Also, white rightists may take some pleasure in the idea of a white woman getting her comeuppance by betraying the males of her own kind–since the skanky white whore willingly chose a black guy, good for her if she got beaten to a pulp by the ‘black ape’.
But, when white women find happiness, pleasure, and stability in relationships with black men, it is truly threatening to the racial position of the white right. They have less of a rationale to argue against miscegenation. This is the REAL danger and threat of interracism.
It is, indeed, the PSYCHO-SEXUAL RAPE of the white MALE. When a black male struts his stuff and the white female willingly chooses him over the white guy, the white male has been pussified and left high and dry. He has been betrayed and abandoned. They can either sulk in impotent white right rage or celebrate the black male/white female union as the way it should be for both natural and historical reasons. Natural, because the sexier and tougher black males should get the top females by the rules of the jungle. Historical, because the ideology of liberal white guilt says that since white males had conquered and exploited the peoples-of-color, it is now time for the reverse to happen. Thus, pussyboy Ken Burns has become the posterboy of a good darling liberal white boy who defers to black superiority in athleticism, sexuality, and creativity–JAZZ and UNFORGIVABLE BLACKNESS.

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